Reading the Landscape

Site-specific works made on residency at Skaftfell Art Center, Seyðisfjörður, Iceland, October and November 2018..

Works include:

‘150 Handkerchiefs’ watercolors and sound loop 8’

‘Fosshús’ house-installation of graphic scores and sound works

Graphic score collection (various chamber ensembles and durations), ~25'-30’, durations approximate

Videos: Dvergasteinn, Still Fjord, Bergmál, Quints, Velkominn Heim

This residency was funded in part thanks to generous Kickstarter donors:

Adam Lawson Alan Fletcher Alessandra Alisha Kwon Alison Connolly Amelia Amy Bickerton Andrew Forrest Probst Lynes Andy Hackbarth Andy Smith Ann Andzel Anne Leilehua Lanzilotti Anthony & Itamar Becky Wareing Steele Bill Arning Brandon Peter Masterman Brian Colonna Bridget Duzzie Caitlin Rumery Carrie and Bradly Richards Cassandra Cox Catherine Charles Powell Chris Rose Chris Rule Cobus du Toit Conor Brown Corrina Price Crow Messier Cydney Payton Daniel Bruning David Bernabo David Dabbon David E. Farrell Don Collings Don Fodness Douglas Lynes Drew Austin Drew Butler Edward Corcoran Elizabeth Katherine Castor Elizabeth Rugg Eric Brink Erin Rollman Gabriel Lubell Glenn Einschlag Greg & Ginger Burrell Hajnal Pivnick Holly Wilkins Jack Kurutz Jack Parton Jacob Swanson Jaime Gullotti Janet M Jensen Jennifer Kallus Jes Olson Jessica Cicchino and Robert Oberreuter Jessica Jeanne Jim Cassaro John Drumheller Karl Kister and Mary Caulkins Kate Casolaro and Rudy Colberg Keith Sherwood Kelly Thompson Lauren Patterson Lauren Turek Lindsey Miller Lindsey O'Leary Liz Keller Liz Kellermeyer Liz Reid Lynnette Carlson Marc Hughes Mark Garry Mark Mangini Matthew Evancho Matthew LeBauer Matthew Rugg Michael Theodore Michelle Reilly Morgan Hofmann Nikki Rosato Olivia Moseley Patrick Burke Paula Rosen Peter Cain Rachel Ray Rex Robin Wood Rook Behr Ryan Connell Ryan Seward Sally Bozzuto Sarah Slater Sergio Preston Shannon Kelly Stacey Kay & Cav the Great Tali Gonzalez Tony de Mare Trillium Ensemble Tristan McKay WL

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Additionally, Reading the Landscape was supported by New Music USA, made possible by annual program support and/or endowment gifts from Helen F. Whitaker Fund & Aaron Copland Fund for Music.

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